I was thinking about the film 'Bonnie and Clyde' with Faye Dunaway and Warren Beatty while I was painting this. The line from the film that always stands out for me is when she says to him 'Baby I got the blues so bad...' It has the feeling of somebody at rock bottom and in total despair. I thought I'd name this painting after that line so it's called 'The Blues'. Painting all day on my own can result in some strange trains of thought at times! This painting is in oil on board and it's 8 x 8 inches.

Garden Flowers and Pear

The above photos show the progress of my recent painting 'Garden Flowers and Pear' from the set up to the finished work. I took a different perspective with this one and painted it standing up and looking down which I think gives a more dynamic result. I do like to be comfortable when I'm painting though so I prefer sitting down really - I'm just so lazy!

Carnations and Wildflowers

Here's the set up and finished result for my recent painting 'Carnations and Wildflowers in a Tankard'. I bought these carnations from the supermarket. I do like carnations but I don't think they're really considered a 'cool' flower! So I thought I make the whole thing a bit cooler by adding some stuff from the boatyard where I live. I picked some branches from a blackberry bush and some leaves and a bit of buddleia. Then I placed the flowers and leaves in a silver plated tankard I bought from a vintage fair. I used a pretty embroidered cloth which I think I bought from the same fair. The shell is from my small collection of shells which I plan to add to! I love the different shapes of shells and this is one of my favourites so I often include it in still life set ups.

Step by Step Through a Painting: 'Freesias and Vintage Tea Cup'

I just wanted to show how I created the painting ‘Yellow Freesias and Vintage Cup’ from the set-up shown on the left, in stages. It actually took me about a week to complete it.

Step 1 I always work on gessoed mdf as I like the hard surface, and I start off by applying a thin acrylic burnt sienna ground as I don’t really like working on white. This takes about 10 minutes to dry, then I make a rough drawing of the subject in front of me in pastel pencil or thinned oil paint. Then I get going on the flowers – the most important thing is to get them done as quickly as possible as they soon change! I use warm and cool yellows mixed with a little purple in some areas (purple tones the yellow down), raw umber and rose madder for the subtle tones of the flowers.

Step 2 As you can see, I’ve just about finished the flowers, but if they don’t change I will keep working on them throughout… I’ve painted the satin cushion cover in the background using Paynes Grey, Raw Umber and Yellow, to make a sort of greenish blue. I’ve also made a good start on the body of the jug. I mixed a combination of ultramarine blue, cadmium yellow, cadmium red and titanium white to make a creamy colour for this.

Step 3 I’ve painted the bodies of the jug and the cup and saucer. It’s best to get the basic modelling of these forms correct before adding pattern on top. I’ve also taken a good look at everything and realised the jug was too wide, so I’ve changed it. And I’ve changed my mind about the background. I didn’t like the severe line of the bottom of the cushion cover going across the back so I’m going to have the cloth going over it instead. I’ve made a start on that here.

Step 4 I’ve put in most of the doiley underneath. Now it’s getting fun because I can start putting the patterns on the jug and cup with a fine brush! I just added a bit of shine on the cup too as I couldn’t wait! (You’re supposed to do shiny bits and highlights right at the end).

The finished painting! Sorry about the colour differences in this picture – I used a scanner so it’s more accurate than the photos I took for the other steps. As you can see I’ve finished all the patterns on everything now, and put in all the highlights on the cup and saucer. I hope you enjoyed seeing the steps I went through to create this painting!